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Wilson Pickins Promotions

  • Home
  • About
  • Clients
    • Additional Clients
    • LOVIN' AND LEAVIN': A Bluegrass Tribute To Mickey Clark (Aaron Bibelhauser)
  • Contact
  • Events
    • Bill Monroe's Bluegrass Festival
    • Southern Indiana Blues Fest
    • Uncle Pen Fest
    • Memorial Day - Americana Weekend
  • Graphic Design
Don't Stay A Stranger by Tina Adair

Don't Stay A Stranger

Tina Adair

Song Title: Don't Stay A Stranger Artist: Tina Adair Songwriter: Sarah Siskind Producer: Tina Adair & Adam Engelhardt ISRC Code: QMKYF2600013 Credits: Lead Vocal - Tina Adair Harmony Vocals - Jeff White, Ron Block Read more

Song Title: Don't Stay A Stranger Artist: Tina Adair Songwriter: Sarah Siskind Producer: Tina Adair & Adam Engelhardt ISRC Code: QMKYF2600013 Credits: Lead Vocal - Tina Adair Harmony Vocals - Jeff White, Ron Block Mandolin - Seth Taylor Dobro - Rob Ickes Fiddle - Ron Stewart Guitar - Cody Kilby, Pat McGrath Banjo - Scott Vestal Bass - Byron House

Label: Engelhardt Music Group, Nashville, TN PR/Media: Wilson Pickins Promotions

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NOW BOOKING TINA ADAIR 2026-‘27

TINA ADAIR

VOCALIST, MANDOLIN PLAYER, SONGWRITER

Tina Adair has never simply been a great bluegrass singer — she has been a defining voice of the genre for more than half her life.

From the moment she signed her first recording contract with Sugar Hill Records at just 17 years old, Adair’s trajectory was unmistakable. Raised performing with her family band, The Adairs, she entered the industry already possessing the emotional clarity and vocal authority that would become her trademark.

Her early solo projects, including All You Need (2000) and Born Bad (2012), established her as a commanding stylist capable of balancing grit and grace in equal measure. But Tina’s story has never been defined by one chapter.

While building her recording career, Adair pursued higher education at Belmont University, later becoming a Director at the Mike Curb College of Entertainment and Music Business — a rare dual role as both artist and architect of the next generation of music professionals. Her leadership in academia mirrors her influence on stage: intentional, respected, and forward-thinking.

In 2012, Adair joined forces with four more powerhouse women to form Sister Sadie — a group that would reshape the landscape for female artists in bluegrass. The band earned a ©GRAMMY nomination, multiple performances on the legendary Grand Ole Opry stage, and historic recognition from the International Bluegrass Music Association, winning Vocal Group of the Year three consecutive years (2019–2021) and Entertainer of the Year in 2020. The Country Music Hall of Fame and Museum further honored Sister Sadie through its “Country Currents” series — cementing the group’s cultural impact.

Yet perhaps the most compelling chapter is the one unfolding now.

After signing with Engelhardt Music Group in 2020, Adair experienced a creative resurgence that reintroduced her voice to radio and audiences nationwide. Her self-titled release delivered chart-topping singles and reminded the industry that her vocal fire had not dimmed — it had deepened.

As highlighted in 2026 Bluegrass Today coverage, this is “a brand-new Tina Adair.” Following personal health challenges and profound life reflection, she embraced transformation — physically, emotionally, and artistically. The result is an artist renewed in purpose, energy, and presence. Her recent single “Don’t Stay a Stranger” showcases that evolution: vulnerable, powerful, and deeply resonant.

In 2026, Adair adds yet another exciting dimension with the launch of the Acoustic Social Club alongside Kim Fox, Joel Fox, Casey Freeland, and Andrew Morton. Built around harmony-driven arrangements, joyful musicianship, and a spirit of connection, the group will debut at Nashville’s iconic Station Inn and signals a vibrant new chapter of collaboration and live performance.

Through every season — from teenage prodigy to ©GRAMMY-worthy ensemble member, from chart-topping soloist to respected educator — Tina Adair has remained anchored in authenticity.

She is redefining what longevity, excellence, and renewal look like in bluegrass music.

READ ABOUT TINA ADAIR' IN BLUEGRASS UNLIMITED

THE MANY MILESTONES, BUCKET LIST ITEMS & sTAGES

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Prisoner's Song by Tina Adair

Prisoner's Song

Tina Adair

Tina Adair - Lead Vocal Cody Kilby, Pat McGrath - AG Seth Taylor - Mandolin Scott Vestal - Banjo Rob Ickes - Dobro Byron House - Bass Ronnie Stewart - Fiddle Ronnie McCoury - Harmonies

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Covering Up Holes by Tina Adair

Covering Up Holes

Tina Adair

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Covering Up Hole - Tina Adair (Billy Droze/John Meador) ISRC: QMKYF2500001 Acoustic Guitars - Cody Kilby, Pat McGrath Mandolin - Seth Taylor Dobro - Rob Ickes Banjo - Scott Vestal Fiddle - Ronnie Stewart Bass - Byron Read more

Covering Up Hole - Tina Adair (Billy Droze/John Meador) ISRC: QMKYF2500001

Acoustic Guitars - Cody Kilby, Pat McGrath Mandolin - Seth Taylor Dobro - Rob Ickes Banjo - Scott Vestal Fiddle - Ronnie Stewart Bass - Byron House Harmonies - Wes Hightower

Produced by Tina Adair & Adam Engelhardt Engineered & Mixed by Adam Engelhardt Additional Engineering by John Palmieri Mastered by Eric Conn at Independent Mastering

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An engaging & magnetic performer and vocalist

THE DEBUT SELF TITLED ALBUM

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